ergot fungus on rye

A Q&A with Margo Burns, associate editor and project manager of Records of the Salem Witch-Hunt and expert featured on the Who Do You Think You Are? TV series.

WitchesMassBay: What is the premise behind the idea that ergot caused the Salem witch hunts?

Margo Burns: The initial proposition of this idea came from an observation that the symptoms of the accusing girls in Salem Village appeared to resemble the physical and hallucinogenic symptoms of convulsive ergotism. Ergot is a toxic fungus that can grow on rye grain used to make bread in the 17th century, and it has a chemical similarity to LSD, a known hallucinogen. The connection does not explain why the adults in the community—parents, clergy, judges—interpreted such reported symptoms as being caused by bewitchment.

WitchesMassBay: Some notable people, including accused witch John Proctor, believed the core group of afflicted accusers were lying and pretending their illnesses. In 1692, would people have had an understanding that ergot (or contaminated food) caused hallucinations and physical reactions?

Margo Burns: Doctors and “chirurgeons” were often called for help when someone fell ill mysteriously, and ministers were often asked to come pray for the patients to recover with the help of God. A popular witch-finding guide of the period by Richard Bernard gives a list of examples of how doctors were able to diagnose what may have appeared to be bewitchment instead of known physical ailments, including one case that was as simple as the patient having worms, and who got better after “voiding” them. Blood-letting, laxatives, emetics, and diuretics were common treatments as a result of their understanding of how the four “humours” worked in the body. Some of their cures were actually right on the money. They knew about the dangers of spoiled food and many other things, which, frankly, were more common then than now.

WitchesMassBay: Today, the debate on ergot continues, with scientists and witch-hunt historians on both sides. Why is this such a popular theory?

Margo Burns: It is not technically a theory, but a hypothesis, a guess. It would be a theory if there were solid evidence to support it, but it is circumstantial at best. Both historians and medical professionals have found that the evidence offered contains cherry-picked data and ignores known exculpatory evidence. There doesn’t seem to be a debate about that, even though it is often portrayed as such in the popular media, because who doesn’t like experts disagreeing? Except that they don’t. If there’s debate, it is more like debating whether the moon landing was real or not: There will always be someone who believes it was faked, no matter what is presented to them as evidence.  Also, many people who hold this explanation as valid often do so because it positions the people of the 17th century as ignorant and superstitious while we in the 21st century are superior in our scientific understanding. Single-bullet solutions for complicated events are also reassuring, especially if it feels like a secret has been revealed, and we’re in on it.

Ergot as the toxic culprit behind the accusers’ symptoms was not necessarily what engaged people about this idea in the mid-1970s when first posited: It was that ergot was chemically and symptomatically similar to LSD.

WitchesMassBay: Any other theories you would like to debunk?

Margo Burns: It is not really about debunking as it is understanding that every critical approach to historical material is actually a filter through which the facts are perceived—some coming into focus and others blurring into the background, depending on the person’s interests and world-view, often with some creative embellishment to complete a popular trope of the time period.

Charles Wentworth Upham, an antiquarian from Salem writing during the mid-18th century, portrayed Tituba, known to be a slave from Barbados, as a Civil War-era stereotype of a voodoo-practicing Black African Mammy from the South, even though Tituba was consistently described in the primary sources as being an Indian. From this, he fabricated the story that the accusing girls had been learning magic from her and went dancing in the woods—none of which is in any of the primary sources—to explain the girls’ behavior. Because this story is vivid and shocking, it comes across as plausible and is generally accepted as true, even now and even though it is not supported by any primary sources.

Arthur Miller repeated the story about the girls dancing in the woods in his play, The Crucible, in the 1950s. Miller was swept up personally in Senator McCarthy’s anti-Communist activities, and the story of public trials based on false accusations condemning innocent people in Salem resonated for him. The Crucible is an extremely popular play, and his craftsmanship so superb that audiences start believing that the story and characters are based more closely on the real events and people than they are. His use of names of real people for his characters further blurs the line. The play is so compelling, in fact, that over the years in discussing the origins of his play, Miller himself began to believe that some of the fictive things he wrote were in the primary sources he had read, even though he hadn’t.

Margo Burns was project manager for Records of the Salem Witch-Hunt, the most complete compendium of the trial documents.

Margo recorded two lectures on ergot—and both of them are different:

Ergot – What a long strange trip it has been -The Moldy Bread Myth by Margo Burns (Witch House, 2018)

The Salem Witchcraft Trials and Ergot, the “Moldy Bread” Hypothesis by Margo Burns (History Camp 2018)

Recently, Juliet Haines Mofford published a historical novel on Abigail (Dane) Faulkner, accused of witchcraft in 1692 in Andover, Massachusetts. I had some questions for the author of The Devil Made Me Do It: Crime and Punishment in Early New England and other non-fiction books.

Abigail Accused by Juliet MoffordWitchesMassBay: How did you become interested in the Salem witch trials, and specifically in the witch hunts in Andover, Massachusetts?

Juliet Mofford: I first got hooked on the Salem witch trials when we moved to Andover and I learned that more citizens from here were imprisoned for witchcraft than from any other town in New England. I soon found little in print about Andover’s 1692 experience even though this town had the most persons who confessed to committing the capital crime of witchcraft and the most children arrested.

An assignment to write a local history required research into primary documents at the Andover and North Andover historical societies. In 1992, I presented “The Andover Witch Hunt” at the Tercentenary Conference in Salem. As a lifelong writer and a professional museum educator, I developed and directed such programs as Cry Witch!—The Andovers Remember 1692, a community play I scripted and produced under Massachusetts Cultural Council grants; The Suspicious Season, about the accused women of Reading; and an interactive play entitled The Judgment of Martha Carrier. Later, as Director of Education and Research at Andover Historical Society, I had access to early town, land, and court records. I have lectured and taught classes on the Salem witch trials at Phillips Academy, for Elderhostel, and at Middlesex Community College.

WitchesMassBay: Why did you decide to write a book about Abigail (Dane) Faulkner?

Juliet Mofford: Since every person accused of being a witch in 1692 was different, each witchcraft case is unique. The daughter of Andover’s senior minister Francis Dane who opposed the trials, she was convicted of witchcraft and narrowly escaped the gallows. I wanted to get to know Abigail better so I might understand, for example, why her sister and her own daughters testified against her in court.

I was especially drawn to Abigail because she was a survivor and, obviously, a strong and articulate woman. The petition she wrote Governor William Phips from Salem prison won her early release on bond while another written in 1703 resulted in a Reversal of Attainders that revoked the court ruling and restored legal rights to those convicted.

WitchesMassBay: How does writing historical fiction help tell Abigail Faulkner’s story in ways beyond the basic historical record?

Juliet Mofford: Many myths and misconceptions about Puritans have been perpetuated by Victorian authors like Nathaniel Hawthorne and Henry Wadsworth Longfellow and passed down to us. And many historical errors are found among the countless books about Salem witchcraft, including Arthur Miller’s play, The Crucible. Historical documents, and court records in particular, demonstrate that Puritans were not “goody-goodys,” all dressed in black who seldom dared laugh.

I wished to present an actual family whose members were impacted by the horrifying events of 1692, and base the book upon the original documents. I wanted to recreate the realities of their daily life and personal experiences such as courtship, marriage, childbirth, the sin of fornication, poverty, and—in Andover’s caseterrifying attacks by Native Americans and their French allies upon this frontier community.

WitchesMassBay: It’s been more than 300 years since the Salem Witch Trials. Why do you think it’s still relevant today?

Juliet Mofford: Abigail’s personal life has contemporary relevance because PTSD or Post-Traumatic Stress Disorder is in today’s news. This Colonial goodwife sustained her husband through the “fitts” he suffered as a result of sporadic Indian attacks.

Abigail Accused: A Story of the Salem Witch Hunt is the historical revelation of how one particular wife and mother, alongside her minister father, fought bigotry and religious fanaticism and helped bring an end to the deadly witch hunt. Petitions by both father and daughter represent landmark documents of free speech that serve to remind us of the ongoing struggle for human rights. Lessons hopefully learned from the Salem witch trials remain relevant today because, unfortunately, prejudice, intolerance, and xenophobia have raised their ugly heads throughout history and continue to happen.