by Margo Burns, associate editor, Records of the Salem Witch-Hunt

On January 11, 2023, the Peabody Essex Museum turned over 527 original documents from the 1692 Salem witchcraft trials to the Massachusetts Supreme Judicial Archives in Boston. Owned by the Commonwealth, these documents had been on deposit with the Phillips Library since 1980.

In 1980, the entire collection of the records in the colonial Essex County Court Archive, from 1636 to 1800, moved from the basement of the Salem Superior Court building into the care of the renowned Essex Institute in Salem, Massachusetts. Ellen Mark, manuscript librarian at the Essex Institute, described the courthouse in an AP news story in December 1980 as “a typical old building basement, complete with dripping heating pipes. It was a very poor place to store old documents.”

Fortunately, the Salem witchcraft trials records were still in their scrapbooks, on display upstairs. Upon being deposited at the Essex Institute, the two scrapbooks were disassembled, de-acidified in alkaline baths, and earlier hinges used to mount them in the albums were carefully removed. A minimal amount of conservation work was done to support their physical integrity, aside from being ironed flat. In January 1982, the records went to the Northeast Document Conservation Center in Andover to be microfilmed.

Afterwards, the Essex Institute—whose collection concentrated its focus on local history, genealogy, and art—hosted the exhibit Salem Witchcraft: Documents of an Early Colonial Drama (June 1 to Oct. 31, 1982). In addition to a selection of original documents, the exhibit included George Jacobs Sr.’s cane and John Procter’s brass sundial, which were owned by the Institute. Admission was $1.50. The first item listed in all newspaper promotions was that “original documents of the Salem witch trials” could be seen at the Essex Institute by the public.

At the tercentenary of the Salem witchcraft trials in 1992, the Essex Institute opened the Days of Judgment exhibit in Plummer Hall, which included 33 documents and some of the objects in its collections related to people involved in the 1692 trials. That same year, the Essex Institute and the Peabody Museum merged to become the Peabody Essex Museum (PEM).

Direct access to the Phillips Library collections was in a reading room in Daland House, where I first started my own research, in what I recall as a tiny, dim room with only a few tables. In 1997, the library closed for nine months for a “massive restoration project, including climate control and modern archival storage” (PEM press release). In May 1998, the reading room reopened next door on the second floor of Plummer Hall: “Lined with columns and illuminated by chandeliers, it manages to be both formal and comfortable. The room is right out of the 19th century, complete with antique globe, oil paintings of Saltonstalls on the walls, and busts of Peabodys framing the door,” according to a January 14, 1999, article in the Boston Globe. On the first floor, the Essex Institute also featured a small display, The Real Witchcraft Papers “permanent exhibit,” with the canes, sundial, and a few original documents, including the warrant to arrest my ancestor Rebecca Nurse.

Transcriptions in process

In the 2000s, our team for Records of the Salem Witch-Hunt visited these documents frequently, working on making the most accurate transcriptions of them that we could, correcting a variety of previous errors in Boyer and Nissenbaum’s Salem Witchcraft Papers (1977), and including 71 more documents previously uncollected. Published in 2009, Records of the Salem Witch-Hunt was part of a National Endowment for the Humanities grant that also supported a website at the University of Virginia, where a hypertext version of Salem Witchcraft Papers and digitized images from the 1982 microfilm could be accessed by anyone online. The website reduced the demand for access to the original documents, which was better in general for the integrity documents—but if one wanted to consult them, it was still possible.

From left: Marilynne K. Roach, Bernard Rosenthal, Margo Burns, Richard Trask, and Benjamin Ray, editors of Records of the Salem Witch-Hunt, working at the Phillips Library in Plummer Hall, June 2005.

On November 24, 2011, the Phillips Library again closed for “preservation and renovation work on Plummer Hall and Daland House (expected completion 2013).” That meant the entire collection—42,000 linear feet of historical documents—was moving off-site to a temporary location, where PEM announced there would still be access to the records until the work was completed. At this time, Elizabeth Bouvier, from the Supreme Judicial Court Archives, collected the 150-shelf-feet of the colonial court documents—still folded in docketed bundles, tied with string—but again, not the witchcraft trials documents. The word—whether true or not—was that out of deference to Salem, the witchcraft trials documents belonged in Salem and so they would stay.

Time wore on, and the off-site location remained a mystery, concerning a lot of us. More than 20 months later, the temporary location opened August 1, 2013, in an industrial building in the next town of Peabody. Although access was once again possible, the stark white walls and absence of windows had none of the charm of the resplendent reading room in Plummer Hall.

In 2015, Peabody Essex Museum announced a “$20 million renovation and improvement of PEM’s Phillips Library … housed in two noted 1850s architectural treasures, the John Tucker Daland House and Plummer Hall, both of which are being renovated by Schwartz/Silver Architects.”

What wasn’t clear to the public, of course, is the hard work that was happening behind the scenes: The entire collection of the Phillips Library was now physically on a single level, and the re-organization of the materials—which had at least four different cataloging systems—was under way, to produce what a 2017 press release would call “a consistent catalog of the entire Library collection and to make the catalog of the collection accessible online.” PEM’s website announced that the temporary location was going to be closed another six months (Sept. 1, 2017 through March 31, 2018), to move to the “new location,” which was assumed to be back in Salem.

Rumors bring people together

At a public meeting of the Salem Historical Commission on December 6, 2017, the architectural firm of Schwartz/Silver, with Bob Monk and Phillip Johns of the Peabody Essex Museum, submitted an application for renovations to Plummer Hall and Daland House. They revealed that the Museum had “no current plans to move the library collections back into this building.” The size of the growing collection was already twice as large as the capacity of the Stacks, but also that it was “not code compliant for staff use.” The cost would be enormous.

This was news. Everything that the public had heard before was that the two buildings were going to be renovated and the collection would be returning there. What was going on? It turned out that the plan was to move the Phillips Library holdings to PEM’s new Collection Center in Rowley, a building that had once been a toy factory and was now being re-fitted to store items from PEM’s vast collections in a climate-controlled space. The plan to move the library holdings away from Salem upset a lot of people, and the witchcraft documents were the prime example held up of why people felt the library needed to be IN SALEM. 

Frankly, it was a public relations fiasco that did not have to happen. CEO Dan Monroe did little to help the situation at a hastily called public forum in the atrium of the Peabody Essex Museum on January 11, 2018, which attracted “hundreds of people” working in the tourist industry, local academics, historians, and lovers of Salem, according to the Boston Globe coverage of the event. Monroe told the Globe, “There was an expectation by a number of people that we had a responsibility to consult with them about what would be done with the Phillips collection. That’s an expectation that we didn’t particularly share or understand.” Clearly. Donald Friary, Salem resident and President of the Colonial Society of Massachusetts, summed up the biggest issue: “No one in Salem knew this was happening. No one knew that they were looking for other sites… There is a very high level of mistrust.”

It seemed like Monroe was there to just show up and just get through the evening and keep doing what he had already planned anyway. There were heated exchanges. Monroe explained that it was going to be impossible to redo the buildings, and that the existing archival storage addition was deemed unsound and really was “condemned.” The audience offered many suggestions and questioned why different options had not been considered. Monroe just stood there and took it, looking impatient and petulant as he did, rebuffing it all. There was a claim that the witchcraft documents had “all been digitized” and were at the website. This was not entirely accurate: At that time only the 30 documents owned by the Phillips Library had been digitized.

Monroe was quoted in the Boston Globe stating, “History doesn’t reside in a specific state or a specific set of documents.” Except that when it comes to the Salem witchcraft trials, history is all about that place and those original documents.

Bottom line: Had Monroe been transparent ahead of time and let the public know that there turned out to be a severe structural problem with the building and PEM was very concerned about how to best preserve and protect such an important historical collection, things could have gone smoother. Yes, there still would have been lots of public discussions and sundry opinions, but with a shared goal of figuring out what was best for the collection—even though the final decision would always be PEM’s.

The newly formed group, “Save the Phillips Library,” collected over 5,000 signatures on a petition at change.org, appealing to Monroe not to move the collection out of Salem, but in vain. In July 2018, four months longer than originally announced, the Collection Center (recently renamed the James B. and Mary Lou Hawkes Collection Center) opened with great fanfare, with PEM-hired buses taking people on the 15-miles-plus drive from Salem to Rowley that weekend. Finally, the new Reading Room was available to researchers again. The collection was in an excellent state of organization and preservation. Although the room had windows, it had all the atmosphere of an open-plan industrial office, despite being designed by Schwartz/Silver. Access was restored.

All disputes about the move were resolved by the Massachusetts Supreme Judicial Court on October 20, 2020, when it ruled in the case of Peabody Essex Museum v. Maura Healey, Attorney General of the Commonwealth of Massachusetts, that the relocation was “consistent with equitable deviation from the terms of the founding statutes establishing the Essex Institute, an organizational forebearer of PEM,” but, even now, as a recent article in The Salem News observed, “there’s still lingering feelings back home from local historians over the Phillips Library’s distance from Salem.”

Reparations

Dan Lipcan, PEM’s Head Librarian since 2019, gets it, telling the Boston Globe in 2020, “The move to Rowley was very hurtful to people. One of the charges when I arrived was, ‘You need to repair relations with the community.’”

After years of ignoring its local history archival and artifacts collections, PEM opened its rotating Salem Stories and Highlights from the Phillips Library exhibits. In PEM’s main gallery, the Salem Witchcraft Trials 1692 exhibit opened, featuring the original documents in exquisite public displays, along with associated historical objects. Even with COVID rules keeping people six feet apart, the witchcraft exhibit drew thousands of visitors during its six-month run (Sept. 26, 2020–April 4, 2021).

In 2021, the Salem Witchcraft Trials: Reckoning and Reclaiming exhibit cross-curated original documents with a gown by fashion designer Alexander McQueen from his 2007 collection inspired by his ancestor, “Memory of Elizabeth How, 1692,” plus selections from photographer Frances F. Denny’s series Major Arcana: Portraits of Witches in America (Sept. 18, 2021–March 20, 2022). There was something for everyone, including a board for visitors to post their own thoughts and responses to what had happened in 1692.

Then in 2022, there was the surprise pop-up exhibit, The Salem Witchcraft trials: The Towne Sisters with more original documents about the cases of sisters Rebecca Nurse, Mary Esty, and Sarah Cloyse (Sept. 10, 2022–Nov. 28, 2022). This small exhibit was featured in the Phillips Library rotating exhibits space at PEM.

Meanwhile, the entire collection of the Salem witchcraft trials documents on deposit at Phillips Library has been professionally scanned and indexed on its website, paired with references to the transcriptions in Records of the Salem Witch-Hunt. Plus, if you missed any of the witchcraft trials exhibitions at PEM, you can select the exhibitions at the website—including the 1992 one—to see what was in each, along with photos of all these installations.

With the recent expansion and modernization of the Massachusetts Archives facility in Boston, the Supreme Judicial Court called for the return of the Salem witchcraft trials documents to the Judicial Archives. This was done in January 2023 at a ceremony at the Massachusetts State Archives with Peabody Essex Museum CEO Lynda Roscoe Hartigan, Director of the Phillips Library Dan Lipcan, Judicial Court Chief Justice Kimberly Budd, and Essex County Clerk-Magistrate Thomas Driscoll. PEM also presented another 30 Salem witchcraft records from the Phillips Library’s own collection to the Archives, from donations it had received over the years.

In an article in the Salem News, Hartigan said, “PEM is committed to telling the story of these events through exhibitions, lectures, and public programs as well as by making reproductions of the Salem Witch Trial documents available to the public on our website.” Driscoll summed it up about the documents, “These things belong to the people. I think it’s the right place for them to go.”


These 1692 witchcraft trials documents are now at the Massachusetts Judicial Archives located in the Massachusetts Archives building at Columbia Point in Boston. They are not the only original records from the witchcraft trials. More are in the Massachusetts Archives, as well as the Massachusetts Historical Society, the Boston Public Library, and a few at various historical societies and libraries.

This post is a part of a more detailed presentation on the history of all the witchcraft manuscripts, to be presented at History Camp Boston 2023, on August 12, 2023, at the Suffolk Law School in Boston.

Many thanks to the numerous people who kindly answered my questions and made connections for me during my research: Dan Lipcan and Jennifer Hornsby (Phillips Library, Peabody Essex Museum), Michael Comeau (Massachusetts State Archives), Donna Segar and Emerson Baker (Salem State University), Marilynne K. Roach, and Robin Mason, who sent me down this path.

See also:

Salem witch trials documents return to SJC

Why go to Rowley? Salem’s PEM research library of course

A tribute to the Essex Institute—and Mary English’s chair

Teaching the everyday & the extraordinary: Salem in 1692

On 28 July 2022, Elizabeth Johnson Jr. was officially exonerated by the Commonwealth of Massachusetts for the crime of witchcraft.

During the Salem witch trials, Andover neighbors and afflicted accusers claimed 22-year-old Elizabeth Johnson Jr. was a witch. At her examinations on August 10-11, 1692, Elizabeth confessed to signing the Devil’s book, participating in a mock sacrament, and afflicting numerous people. On 5 January 1693, the grand jury indicted her for afflicting Ann Putnam Jr. Elizabeth was convicted of witchcraft less than a week later. Fortunately, Governor William Phips gave a temporary reprieve to several condemned witches, including Elizabeth, shortly before their execution date (RSWH, pp. 541, 543-544, 771-772, 811).

However, those convicted of a capital crime lost their civil rights and liberties. On 13 September 1710, Francis Johnson petitioned for restitution for his sister Elizabeth Johnson Jr. He also submitted a claim for 3 pounds for providing Elizabeth with provisions during her six-month imprisonment. His request was noted but ignored.

In 1711, a Reversal of Attainder nullified all witch trial judgments against George Burroughs, John Proctor, George Jacobs, John Willard, Giles Corey, Martha Corey, Rebecca Nurse, Sarah Good, Elizabeth How, Mary Easty, Sarah Wildes, Abigail Hobbs,* Samuel Wardwell, Mary Parker, Martha Carrier, Abigail Faulkner,* Ann Foster,* Rebecca Eames,* Mary Post,* Mary Lacy,* Mary Bradbury,* and Dorcas Hoar.*

Omitted from the 1711 act, on 19 February 1711/2, Elizabeth petitioned on her own behalf for a reversal of attainder and for restitution. No action was taken. When Elizabeth Johnson Jr. died on 3 January 1746/7, the weight of her conviction remained (RSWH, pp. 875-876, 887-888, 901).

In the 20th century, six more victims of the Salem witch trials were vindicated. Finally, in the 21st century, students from the North Andover Middle School took on Elizabeth Johnson Jr.’s case and she finally was acquitted of witchcraft.

Resolve relative to the indictment, trial, conviction, and execution† of Ann Pudeator, Bridget Bishop, Susannah Martin, Alice Parker, Margaret Scott, Wilmot Redd, and Elizabeth Johnson Jr. for “Witchcraft” in the Year Sixteen Hundred and Ninety-Two.

Whereas, Ann Pudeator, Bridget Bishop, Susannah Martin, Alice Parker, Margaret Scott, Wilmot Redd, and Elizabeth Johnson Jr. were indicted, tried, found guilty, sentenced to death, and executed† in the year sixteen hundred and ninety-two for “Witchcraft”; and

Whereas, The above named may have been illegally tried, convicted, and sentenced by a possibly illegal court of Oyer and Terminer created by the then governor of the Province without authority under the Province Charter of Massachusetts Bay; and

Whereas, Although there was a public repentance by Judge Sewall, one of the judges of the so-called “Witchcraft Court,” and by all the members of the “Witchcraft” jury, and a public Fast Day proclaimed and observed in repentance for the proceedings, but no other action taken in regard to them; and

Whereas, The General Court of Massachusetts is informed that certain descendants‡ of Ann Pudeator, Bridget Bishop, Susannah Martin, Alice Parker, Margaret Scott, Wilmot Redd, and Elizabeth Johnson Jr. are still distressed by the record of said proceedings; therefore be it

Resolved, That in order to alleviate such distress and although the facts of such proceedings cannot be obliterated, the General Court of Massachusetts declares its belief that such proceedings, even if lawful under the Province Charter and the law of Massachusetts as it then was, were, and are shocking, and the result of a wave of popular hysterical fear of the Devil in the community, and further declares that, as all the laws under which said proceedings, even if then legally conducted, have been long since abandoned and superseded by our more civilized laws no disgrace or cause for distress attaches to the said descendants or any of them by reason of said proceedings; and be it further

Resolved, That the passage of this resolve shall not bestow on the Commonwealth or any of its subdivisions, or on any person any right which did not exist prior to said passage, shall not authorize any suit or other proceeding nor deprive any party to a suit or other proceeding of any defense which he hitherto had, shall not affect in any way whatever the title to or rights in any real or personal property, nor shall it require or permit the remission of any penalty, fine, or forfeiture hitherto imposed or incurred.

Resolve of 1957, chapter 146 (approved 28 August 1957) as rewritten after amendments on 31 October 2001 and 28 July 2022 incorporated.

For related stories on Elizabeth Johnson Jr., see:


Footnotes:
RSWH: Records of the Salem Witch-Hunt by Bernard Rosenthal et al.
* not executed
† Elizabeth Johnson Jr. was found guilty but not executed for the crime of witchcraft.
‡ Elizabeth Johnson Jr. had no descendants and remained unmarried during her long life.

Indictment v. Candy for afflicting Mary Walcott

A conversation between Tony Fels and Margo Burns about the confessions during the Salem witch trials. Read the original post, part 1, and part 2.

Tony Fels responds.

Margo, I’m afraid you have posited a straw argument concerning the confessors in order to knock it down. No serious historian of the Salem witch hunt believes that the confessors thought that, in confessing, they had obtained a “get out of jail free card” or had “caught on to the deal” about how to handle the witchcraft interrogators. Nor would any serious historian contend that simply because no suspect who confessed was executed, that this fact alone meant the authorities had decided on a policy to spare those suspects’ lives. Indeed, we know that the witchcraft court convicted five confessed suspects (leaving aside Samuel Wardwell, who recanted his confession) at the court’s fourth and last session in mid-September. These individuals might have met their deaths if events had turned out differently.

The whole Salem witch hunt process was a terrifying ordeal that unfolded without any certain outcome. As you point out, confession was nothing anyone would take lightly, since the last person who had confessed to witchcraft, Goody Glover in Boston just four years earlier, had been put to death for the crime. For strictly religious reasons alone, no pious Puritan—and nearly all of the adult confessors could be classified as such—would have casually acknowledged such terrible acts of blasphemy in their own behavior. And yet, of the 150 or so accused in the Salem witch hunt, roughly one-third of these suspects confessed to the crime, and none of these confessors was ultimately executed. Plenty of evidence, much of which is included in your own 2012 article (“‘Other Ways of Undue Force and Fright’: The Coercion of False Confessions by the Salem Magistrates,” Studia Neophilologica 84: 24-39), suggests why this outcome was not purely coincidental: confessing increased one’s chances of survival.

I agree with you that such a likelihood could not have been discerned before the trials themselves got underway with the court’s first session on June 2-3. Eight people had confessed by this point (Tituba, Dorothy Good, Abigail Hobbs, Deliverance Hobbs, Mary Warren, Sarah Churchill, Margaret Jacobs, and Rebecca Jacobs). In your post, you mention 11 confessors before the first trial, but I’ve never seen the names of the three additional people you are referring to. You know the examination and related records better than I do, and these additional names may have surfaced since the publication of your own article. But just focusing on these eight, while one (Good) was a young child and two (Warren and Churchill) quickly recanted their confessions, the other five were all people who could have been selected to be tried at the court’s first session (June 2-3) or its second session (June 28–July 2), but none was. Instead, one non-confessing suspect (Bridget Bishop) was tried and convicted at the first session and on June 10 hanged, followed by five non-confessing suspects (Sarah Good, Susannah Martin, Rebecca Nurse, Elizabeth How, and Sarah Wilds) tried and convicted at the second session and hanged on July 19. At this point (roughly mid-July; there were no confessions in June) it seems possible to imagine that some of the remaining suspects and others still to be named might have begun to see an advantage to confessing.

One (the Salem slave Candy) did so on July 4, followed by five people (Ann Foster on July 15, and then Mary Lacey Sr., Mary Lacey Jr., Richard Carrier, and Andrew Carrier, all on July 21-22), all from Andover, the town to which the witch hunt had by now spread. These latter five were all linked to Martha (Allen) Carrier, an Andover woman strongly suspected of witchcraft by many of her neighbors and who had been accused and arrested at the end of May. It is reasonable to believe, though we have no direct evidence to this effect, that all five, which included two of Carrier’s children, confessed in the hope that their confessions might insulate them from sharing in what appeared to be the impending fate of Martha Carrier. The non-confessing Carrier was indeed tried first at the court’s third session (August 2-5) and was hanged along with the session’s four male convicted suspects, all also non-confessors (John Willard, George Jacobs Sr., John Procter, and George Burroughs) on August 19.

The approach and aftermath of the court’s third session opened a floodgate of further confessions coming from Andover or Andover-related suspects: two more relatives of Martha Carrier on July 23 (niece Martha Emerson) and July 30 (sister Mary Allen Toothaker); a middle-aged woman (Mary Bridges Sr.) on July 30 and her five daughters on August 3 (Mary Post) and August 25 (Mary Bridges Jr., Sarah Bridges, Susannah Post, and Hannah Post); two more of Martha Carrier’s children (Sarah and Thomas) on August 11; Rebecca Eames on August 19; and at least seven more Andover individuals (Elizabeth Johnson Jr., Mary Barker, William Barker Sr., Mary Marston, Elizabeth Johnson Sr., Abigail Johnson, and Abigail Dane Faulkner) by the end of the month. September brought perhaps another 22 confessions along with the court’s fourth session (September 6-17), during which some of the first confessing suspects (Abigail Hobbs, Ann Foster, Mary Lacey Sr., Rebecca Eames, and Abigail Dane Faulkner) were convicted based either on their guilty pleas or by a jury’s decision after a trial. Still, even these convicted confessing suspects avoided execution on September 22, on which date eight more convicted non-confessors (Martha Cory, Mary Esty, Alice Parker, Ann Pudeator, Margaret Scott, Wilmot Redd, Mary Parker, and Samuel Wardwell) were hanged.

(I have checked all of the above names and dates with the authoritative Records of the Salem Witch-Hunt, ed. Bernard Rosenthal, Margo Burns, et al., 2009. The same information may be found in Margo’s article, referenced above. Most historians, including Margo, seem to use Thomas Brattle’s assertion, written on October 8, 1692, that there were 55 confessors among the accused. Nobody, so far as I know, has published a complete list of these names. Based on data found in Records, I include Abigail Dane Faulkner among the August confessors. When she, along with Elizabeth Johnson Sr., and Abigail Johnson, are added to the other August confessors, the total for that month reaches 15, not 12, as noted in Margo’s Table 2 on p. 26 of her article. If 55 is the correct total for the overall number of confessors, then 22 additional suspects must have confessed in September.)

Why did all these individuals confess to crimes we know now they had never committed? We cannot expect the suspects themselves to have explained their motives at the time, because a confession by definition offered an admission of guilt. To the examiners and their surrounding communities, these people acknowledged they had entered into a pact with the Devil to hurt others through witchcraft. In your own article on the subject, Margo, you have emphasized the role played by judicial intimidation, which included everything from intense questioning and incarceration under harsh conditions to the occasional use of physical torture. This is undoubtedly a part of the story. For myself, I would emphasize the role played by guilt for these highly religious people. Under the frenzied conditions of a witch hunt, it was not hard for many of them to imagine that in some way or other they had allowed Satan to enter into their lives by wishing someone harm or hoping to gain personal advantage in some way that the Puritan community frowned upon. There is explicit evidence of this motivation in the confessions of Abigail Hobbs, Margaret Jacobs, Abigail Dane Faulkner, and others.

But confession also carried the hope that the Puritan belief in public repentance might take precedence over the Biblical injunction to “not suffer a witch to live.” Most confessions, beginning with Tituba’s, included anguished portions in which blame was shifted to someone else, typically to suspects who had previously been named. Confessors claimed that these other persons—for example, Sarah Good and Sarah Osburn for Tituba, Martha Carrier for many of the Andover confessors, George Burroughs for nearly all of them—had forced them to carry out the Devil’s wishes. In so doing, they likely hoped to elicit some sympathy for their plight as victims. Family members and friends also played key roles in exerting pressure on suspects to confess, believing that this might be the only way to save their lives. Andover resident Mary Tyler’s brother insisted repeatedly that she do so, both because he thought she must be a witch if so many people had said so and also because “she would be hang’d, if she did not confesse.” A petition submitted in January 1693, urging the newly reconstituted court to ignore the confessions made earlier by some of the Andover suspects, acknowledged the same motivation when it stated, “Confessing was the only way to obtain favor, [and] might be too powerful a temptation for timorous women to withstand, in the hurry and distraction that we have heard they were then in.” That these desperate strategies probably worked to some degree is suggested by the facts that it took until the witchcraft court’s fourth session before any of the confessing suspects were brought to trial, and that when the first group of confessors were finally convicted, this step seems to have been forced on the justices, who were coming under criticism for apparent hypocrisy in overlooking such “obviously” guilty suspects in favor of going after only those who had forthrightly proclaimed their innocence. Even after their conviction, these confessed suspects were still shown a final, and, as it turned out, decisive bit of leniency in receiving temporary stays of sentencing or execution, which Thomas Brattle stated, “for two or three [of them] because they are confessours.” (Abigail Faulkner received a stay of execution by reason of her pregnancy, and Dorcas Hoar, convicted during the same fourth session of the court, also received an unusual stay of execution following her confession just after her sentencing.)

Confession also had a larger impact on the overall course of the witch hunt. From Tituba’s admission of guilt at its start all the way up through the first group of Andover confessors in mid-July, confessions gave credence to the accusations of witchcraft and accelerated the drive to uncover more witches in the communities. Only toward the witch hunt’s end did the sheer number of confessions serve to undermine the credibility of the charges and help bring the panic to a close.

As I see it, the crux of the dispute between you, Margo, and me, lies, as with so many of the controversies generated by the study of the Salem witch hunt, in the question of where blame should be placed. In rejecting what you see as a “nice [but fictitious] story” that draws a moral distinction between those suspects who went to their deaths upholding the truth that they were not witches and those suspects who confessed to crimes they had not committed, you appear to want to concentrate all of the blame for the witch hunt on the Puritan judicial establishment, making sure that nobody gets distracted into thinking that confessors bear at least part of the blame. Hence your emphasis as well on the coerced nature of these confessions. There really was no meaningful choice for a suspect to make, you assert, since all were headed for execution anyway. Confessors did no greater harm than truth-tellers at Salem.

But the Salem magistrates, it’s worth remembering, were not autocrats but elected officials. The Puritan colony of Massachusetts, from top to bottom, fully supported the witch hunt when it was at its height, and even after the English-appointed governor in early October had abolished the first witchcraft court (which the Massachusetts House of Representatives endorsed only in a very close vote of 33-29), it took years for most residents to recognize that a serious miscarriage of justice had been done. In 1695, three years after the witch hunt’s end, a majority of Salem villagers could still sign a petition in support of Rev. Samuel Parris, perhaps the chief instigator of the panic.

In my view, the colony as a whole bears the lion’s share of the blame for the witch hunt, chiefly because of the extremism of its religious views, which lent themselves to picturing the world as a Manichean struggle between Christ and Satan, good and evil. In this context, the determination of thoroughly average people like Rebecca Nurse, Martha Carrier, and George Jacobs Sr. to tell the truth about themselves at all costs—itself one of the great virtues taught by Puritanism—may be seen as genuinely heroic, because it was the accumulated truth-telling of those 20 martyred individuals that did more than anything else to put an end to the catastrophe Massachusetts had brought on itself. The confessors, too, ironically testified to the great power of telling the truth, because when they later recanted their confessions after the witch hunt was over, the aspect of their behavior that they regretted most was that they had “belied themselves” before God.

Continue to Part 4.


Tony Fels is Professor Emeritus of History at the University of San Francisco, where he taught for 29 years. At USF he taught, among other courses, American religious history and historical methods, the latter of which centered on the historiography of the Salem witch hunt. His book, Switching Sides: How a Generation of Historians Lost Sympathy for the Victims of the Salem Witch Hunt, was reviewed on Witches of Massachusetts Bay. For more about Tony Fels, go to https://www.tonyfels.com.

A student interview with Professor Emerson W. Baker on the triumph and tragedy of the 1692 Salem witch trials as part of the 2019 National History Day contest. (Missed Part 1?)

Kayleigh: Danvers, Massachusetts, is almost disassociated with the 1692 Salem witch trials. Of course, Danvers has its memorial but it’s kind of out of place and hidden. Do you think it’s because of the way, like you said earlier, “Gallows Hill cast a large and dark shadow on Salem”?

Dr. Baker: I think Danvers has very deliberately chosen a separate path. Richard Trask, the town archivist of Danvers, has posted on the Danvers Archival Center website various articles and materials. In one he has written about how Danvers became a town. I actually quote it in my book, A Storm of Witchcraft. He talks about the whole process of when Danvers finally was allowed to split off from Salem in 1752. Many historians, like [Paul] Boyer and [Stephen] Nissenbaum, believe—and I would agree too—one of the triggers that caused the Salem witch trials was the inability to split off from Salem in 1692. Ironically, it took another 60 years, until 1752, before the Salem Villagers were allowed to become a separate town, for a number of political reasons. Trask’s article traces that evolution to when the town is named Danvers after an English nobleman, which was a common practice back then. Trask thinks that the town was perfectly happy with that, that they enjoyed the anonymity of no longer being part of Salem.

I think you’re right, part of it is that shame, that humiliation, but Danvers also tried to much more normalize the relationship [to its 1692 past] over the years. Remember, it was Danvers that was the first community that had a memorial [in 1885]. Then they added onto it in 1892. To me what’s really fascinating is: Where was that memorial placed? It’s placed at the Rebecca Nurse farm. When the memorial was placed there, the farm had long been occupied by members of the Putnam family. Have you been to the Rebecca Nurse farm?

Kayleigh: Yes, I have. A couple of years ago.

Dr. Baker: If you go down to the cemetery there, you’ll notice that there are probably more Putnams buried there than Nurses. For me, the fascinating piece is that the Putnams are actually related to the Nurses.* Nowadays this is one big, happy family. What’s neat to me, you know, is that the Putnam family was willing to let the Nurse Family Association erect this memorial to the [witch trials] past in their family cemetery that they also shared with the Nurses.

I think Danvers has always tried early on to atone for what happened in 1692. To me, the very different treatment of the tercentenary is a good example of how Danvers deals with these things. They wanted to build a memorial. But they were much more low-key, they didn’t get [Holocaust survivor and author] Elie Wiesel to dedicate it or stuff like that. If you’ve seen the memorial, it’s right there by the elementary school, it’s across the street from the site of the 1692 meeting house, it’s sitting there amongst the ballfields and elementary school. It’s part of this residential community and it just seems to blend in very nicely.

The other thing Danvers did in 1992, and you see this at the Nurse cemetery, they reburied what they think are [witch trials victim] George Jacobs’ remains. The way they did this was so Danvers. Salem, you know, they unveil this memorial, they have Elie Wiesel, they have all these bells and whistles. Danvers essentially had this private committal service for George Jacobs. They went to great lengths to be historically accurate with this. They built—well, a fellow who is a good carpenter built—a replica of a 17th-century coffin to put the bones in, they did that replica 17th-century gravestone, and recreated a committal service like you would have had in 1692—and they basically did it as a private ceremony. I think there was one reporter they allowed to be there. But there weren’t all these press releases, “Come watch us bury George Jacobs!” So, to me, it was much more an acknowledgment of the past and the wrong, but with absolutely no efforts to commercialize it.

Since 1892, at least, Salem has had this complex relationship. On the one hand, people want to make good on past sins and say “let these things never happen again.” On the other hand, they’re saying, “Would you like to take a tour of haunted Salem for $30?”

Danvers is not like that, it has never been like that. They’ve never tried to commercialize it in any way or draw any publicity to the community. The Danversites are not interested in doing that. They take quiet, humble acts to try to do penance for the events of 1692.

———

*In 1692, some of the Putnam family, most notably Ann Putnam Jr. (1679-1716), accused 70-year-old Rebecca Nurse of being a witch. She was hanged on 19 July 1692. A generation or two later, the families intermarried.

Emerson (“Tad”) W. Baker is a historian and professor at Salem State University and the author of A Storm of Witchcraft: The Salem Witch Trials and the American Experience (2014), The Devil of Great Island: Witchcraft & Conflict in Early New England (2007), and The New England Knight: Sir William Phips, 1651-1695 (1998).

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Wicked Salem by Sam Baltrusis covers 300-plus years of history and people in three categories: the Witches, the Murderers, and the Cursed. The book includes stories about Bridget Bishop, George Jacobs Sr., and Mary Estey; self-confessed Boston Strangler Albert DeSalvo, Giles Corey, and Captain White’s murderer, Richard Crowninshield; Rev. Cotton Mather, Sheriff George Corwin, Nathaniel Hawthorne, and Harry Houdini. According to Baltrusis—a tour guide and paranormal researcher—each person profiled has a particular “haunt” in Salem.

Despite his scaredy-cat persona, Baltrusis tells intriguing stories filled with detailed information about actual people and places in Salem, intermingled with his personal and professional experiences. He interviews modern-day practicing witches, including Laurie Cabot the Official Witch of Salem and tour guide Thomas O’Brien Vallor. And in case readers get confused, Vallor adamantly explains: “The victims of the witch trials were definitely not witches.” The book also includes sidebars—most notably with Margo Burns, project manager of Records of the Salem Witch-Hunt, and Kelly Daniell, archivist for Peabody Historical Society—for historical perspective.

In many instances, Baltrusis judiciously uses the word “allegedly,” especially in reference to oft-repeated “quotes” from long-dead people. In retelling a ghost sighting at the Samuel Pickman House, he admits, “after doing exhaustive historical research, I found no real proof to suggest the story of the murder or the supposed demonic infestation at the house is true” (17). I’m curious why it’s included, even if it’s a hotspot of paranormal activity. Baltrusis said he “made a concerted effort to stick to the historical facts, even if it resulted in debunking an alleged encounter with the paranormal” (235).

Lingering Lore and Legends

Baltrusis claims Wicked Salem is about “correcting the misinformation associated with the witch trials hysteria of 1692. Over the past decade, I have noticed a shift toward untangling these historical inaccuracies, but we still have a long way to go” (240). Yet much of the book, Baltrusis admits, came from updated excerpts from his nine previous books and published articles. (That must be why 18 pages about the U.S.S. Salem’s haunted attraction in Quincy was included, though the ship had nothing to do with the city of Salem.) In addition, he conducted interviews, read paranormal books on Salem, and checked out related blogs and websites for this volume.

However, Baltrusis repeats myths that have been corrected ages ago by historians and genealogists. Here are just a few:

  • Joanna Chibbun “declared that [Sarah] Good, who was pregnant in 1692 and lost her unborn child in Ipswich, actually murdered the infant” (72). Good’s infant daughter was born 10 December 1691, before she was charged with witchcraft (see New England Historical & Genealogical Register 157:9, published 2003).
  • In 1981, David L. Greene sorted out the identities of accused witches Bridget Bishop and Sarah Bishop (The American Genealogist 57:129-131). Although acknowledging the confusion, Baltrusis writes: Bridget “lived in Salem Village (present-day Danvers) but owned property on the eastern side of Salem’s current Washington and Church streets … that she sometimes leased out to tenants” (26, 41). Sarah Bishop and her husband ran an unlicensed tavern in Salem Village while Bridget Bishop lived in Salem Town. That’s why, regarding her Salem Village accusers, Bridget explicitly said: “I never saw these persons before; nor I never was in this place [Salem Village] before.”
  • On Bridget Bishop’s hanging, one of Baltrusis’ interviewees claims: “They could have just put the noose around Bridget’s neck and killed her instantly. But they didn’t. The executioners actually positioned the noose so she would die a slow, horrible death. She was hanging in the gallows—convulsing and losing control of her bowels—in front of a crowd of people. They were publicly shaming her before they killed her” (28-30). That’s not exactly true. Yes, hordes of people attended such a public spectacle, believed to be for their own edification. While we don’t know if the victims were hanged using the gallows or a tree, a quick death only happened if the victim’s neck snapped as their bodies dropped. That rarely happened; it often took “up to 20 minutes for the victims to die” by strangulation, as Margo Burns explains (67). And, yes, after death, the spontaneous relaxation of muscles sometimes caused bodily fluids to seep out.
  • Howard Street Cemetery is not where Giles Corey was crushed to death (18, 104, 106). The obstinate Corey suffered the medieval torture of peine fort et dure at the now-demolished 1683 jail at the corner of Federal Street and Prison Lane (now St. Peter’s Street). Like many of the witch trial victims, we don’t know where Giles Corey’s broken body was buried. But it’s not at Howard Street Cemetery, where the first burial occurred in 1801. (American Ancestors Magazine 15.4:36-37, published 2014)

More Weight

Throughout Wicked Salem, Frank C. Grace’s photographs capture the essence of the city’s past, while Baltrusis offers educational and entertaining stories—without the profound weight of history.

Granted, I’m not the intended audience of Baltrusis’ works. I’m skeptical about the existence of ghosts and paranormal phenomena. I’m disturbed by the continual misappropriation of the Salem witch trials with Halloween, Haunted Happenings, and horror thrills. And I have a penchant for being a mythbuster when it comes to innocent people accused of witchery.

1684 John Ward house (PEM)

For the 300th anniversary of the Salem witch trials, the Peabody Essex Museum created the Days of Judgement: Salem in 1692 exhibit and video. On display were original trial documents along with artifacts belonging to some people involved in the trials. Items included Judge Jonathan Corwin’s chest, Mary (Hollingsworth) English’s embroidered sampler, old George Jacobs’ canes, and John Proctor’s sundial.

Besides the exhibit, the Peabody Essex offered The Everyday & the Extraordinary: Salem in 1692 tours to school groups. Originally located across the street from the “old witch gaol,” the 1684 John Ward house helped students imagine what 17th-century life was like, from its simple furnishings to outmoded kitchen implements. The old home set the stage for talking about the social, economic, religious, and political conditions that led to the witch hunt.

Next, the students congregated in the one-room meetinghouse, which was similar to the 17th-century courthouse with bench seating, where they learned about court procedures. Afterward, the students reenacted the parts of accuser and accused using testimonies from the witch trials.

Recommended for middle and high school students, the program also provided teachers with a 50-page curriculum packet and reading list. Developed and tested by educators, the lesson plans introduced the basic story of the witch hunt and covered four themes: jurisprudence/law; folk belief and magic; group dynamics and prejudice; and material culture.

What the Witch Hunts Teach Us

Between the museum visits and the classroom lessons, students discovered why studying the Salem witch hunt is still relevant today. Some of the ideas include:

  • The importance of primary sources and how secondary accounts and later interpretations can change how we view history
  • The difference between bias and objectivity, and how loaded words can influence the audience
  • How group dynamics and mob mentality can influence outcomes
  • How to weigh evidence based upon what you know, and what’s admissible evidence within the historical context
  • How laws, scientific knowledge, and belief systems change over time
  • How traditions and practices are different among groups of people and through time
  • How ethnocentric groups discriminate, stereotype, and scapegoat others; and how we can combat intolerance and prejudice by recognizing it
  • How the roles of women have changed over 300 years; and why gender, ethnicity, religious beliefs, race, culture, etc., influence us today
  • How to have courage and believe in yourself, like the innocent victims who would not falsely confess to witchcraft and were hanged

In 1998, the Peabody Essex Museum opened The Real Witchcraft Papers “permanent exhibit” at the Phillips Library across the street from the main museum. Before 2011, when the Phillips Library collection was moved to a “temporary” collection center during renovations to the building, the so-called permanent exhibit was dismantled and taken off display.

Today, the Peabody Essex no longer maintains a permanent witch-hunt exhibit nor offers witch-hunt-themed school programs, despite the huge value of using these artifacts and original documents as teaching tools. Over the last 10+ years, the Peabody Essex Museum changed its mission by focusing on art and culture, while relegating “history” to the tourist attractions. Unfortunately, those businesses don’t have the historical settings, artifacts, original documents, educational resources, and prestige to put together an influential exhibit and educational program like PEM did with The Everyday & the Extraordinary: Salem in 1692.

Note: Since this post was written, PEM’s Phillips Library moved to Rowley, Massachusetts. The Peabody Essex Museum also presented two Salem witch trials exhibits, with plans for more. Check the PEM site for upcoming events and exhibits.

To see photos of some of PEM’s Salem witch trials artifacts, check out The Salem Witchcraft Trials, a booklet by Katherine Richardson (1983).